轉自(zì)：HiFi+編輯部
原标題：HiFiMAN Shangri-&♦©La Junior electrosta®α≤€tic headphone and valve-¶≠™γdriven amplifier
原文(wén)鏈接：https://hifiplus.com/arti✔cles/hifiman-shangri-la$✔β-junior-electrostatic-headpho €÷↑ne-and-valve-driven-amplifi±¶er/
Many audiophiles and music love•✔↕rs dream of owning the besγ∞∑t audio components, bu₹'πt don’t want to shell out as much aΩ×←↕s a luxury automobile to¥ get them. While no-hol✔∑ds-barred systems advance the s>♥ σtate of the art, they a&∏re out of the reach of most audiophil∏$§$es and music enthusiasts. W↔Ω→hat I like to find are compo∑σ± nents that approach the state-of-the-a ®αrt, but are much more a↔®×¶ffordable, like HiFiMAN’↑εs amazing Shangri-La Junior ele®★¶♣ctrostatic headphone system ($8,000 US,♠ α £7,998 UK).
許多(duō)音(yīn)響發燒友(yǒu)和(hé)₽₩音(yīn)樂(yuè)愛(ài)好(hǎo)者都(d ÷€δōu)夢想著(zhe)擁有(yǒu)最好(h¥÷ ǎo)的(de)音(yīn)響設備，但(dàn)并不(bù)想花(huā)買&" φ一(yī)輛(liàng)豪華汽車(chē)的πβ≥(de)錢(qián)。而頂級的(de)音∑↔•≠(yīn)響系統确實提升了(le)技(jì)術(shù) "<ε水(shuǐ)準，但(dàn)它們卻是(shì)大(dà)多(duō)數(₽$♠shù)音(yīn)響和(hé)音(yīn)樂(yuè)發燒友(yǒu)↕∞α所無法企及的(de)。我更喜歡尋找的(de)是(shì)接近(jìn)✘☆最頂級的(de)設備，但(dàn)又(yòu§$↑)更便宜，如(rú)HIFIMAN推出的(de)令人(rén)驚Ω✔★豔的(de)“小(xiǎo)香格裡(lǐ)拉”靜(jìng)電(d↓♥£iàn)耳機(jī)系統，價格為(wèi)8000✘☆美(měi)元或7998英鎊。
Electrostatic transducers ≥ ∏ have captured my att₹ ≈λention since I first hea♣Ω✘rd the original Quad loudspe'&εakers several decades ♣ago. I have owned several pairs of±← original Quad ESL57 anλβ↔→d ESL-63 speakers, and₽↓ still enjoy a set of refurbished ESL"₩✔57s. The Quads bring the m&≤usical event closer to me t÷Ω§↓han most other transducers, but t☆¥hey can be somewhat diffπ♠icult to drive and typically donφ÷↑’t plumb the subterraneanλ¥ depths as do many l™'oudspeakers sporting dynamic drivers. H★↓αowever, I find myself coming backΩα to electrostats time "&≠and again because of th¶€'∞eir transparency, coherence, >✔lightning quick and focused trans∑₹×ient response, clarity, and ₩←their natural-sounding±←← harmonics.
幾十年(nián)前，我第一(yī)次聽(tīng)到(dào)原廠(↑γσ∑chǎng)的(de)Quad音(yīn)箱，靜(→↓φ®jìng)電(diàn)音(yīn)箱系統→♠£>深深地(dì)打動了(le)我。我擁有(yǒu)幾對(duì)原廠(chǎng₩≈≠ )的(de)Quad ESL57和(hé)ESL-63音(yīn)↔₩¥箱，并且仍然很(hěn)喜歡其中一(yī)套經過翻新的(de)E∑βSL57。Quads帶來(lái)的(de)聽(tīng)音(yīn)體(tβ₽$>ǐ)驗比大(dà)多(duō)數(shù)其≤♣γ他(tā)揚聲系統都(dōu)更討(tǎo)好(hǎo)我，但(♣↕dàn)他(tā)們或許有(yǒu)點不(bù)易驅動，通(tōng)常也(y¶₩ě)不(bù)會(huì)下(xià)潛很(hěn)深，不(bùγ£)像那(nà)些(xiē)動圈喇叭的(de)音(yīn ★)箱。然而，我還(hái)是(shì)發現(xiàn)自(zì)己一(yī♥₹)次又(yòu)一(yī)次地(dì)回歸靜(jìng<✘)電(diàn)揚聲系統，因為(wèi)它們的(de)透明(&✔míng)度、協調性和(hé)閃電(diàn)般迅捷的(de∞γ↓₹)瞬态響應，絕好(hǎo)的(de)清澈度，以及它們那(nà)聽(₽¶≠✔tīng)起來(lái)自(zì)然天成的(de)和(hé)諧。
The Shangri-La Jr. e€÷lectrostatic headphoσ ne system, including a valve-dr♥£iven amplifier, comes veryΩ↓©↕ close to the best audγ'Ωio systems I have heard, including Hδ↓∞iFiMAN’s own Shangri-La and Sennheiser ≠≤’s HE-1. Both those state-✘↕of-the-art contenders cost oε•↕ver $50k, so the fact that the ‘Junior’∑₹$× gives up very little in terms of so€÷nic performance is quite an <£ achievement!
小(xiǎo)香格裡(lǐ)拉靜(jìng)電(diàn)耳機(jī)系→統，也(yě)包含有(yǒu)一(yī)個(gè)✘≠靜(jìng)電(diàn)耳機(jī)放(fàng)大(dà)器(qì↓♥)，已經非常接近(jìn)我曾聽(tīng)過最好(hǎo)的(de)音(yī ¥ n)頻(pín)系統，包括HIFIMAN自™ (zì)家(jiā)的(de)香格裡(lǐ) γ←拉靜(jìng)電(diàn)耳機(jī)系™>® 統和(hé)森(sēn)海(hǎi)塞爾HE-1。而這(zh≠ è)兩個(gè)最旗艦的(de)競争者售價超過₩✘φ©5萬美(měi)元，所以事(shì)實上(shàng)，“Jλφunior”即便是(shì)對(duì)音(yīn)頻& §(pín)性能(néng)指标上(shàng)做(zuò)了(le)一(yīσ)定程度的(de)取舍，也(yě)顯然是(shì)一(yī)項相(xià∞↕♥ng)當了(le)不(bù)起的(de)成就π☆₩(jiù)了(le)！
Like the reference Shangri-La (whi♦ ch I’ll call the ‘Senior’) §, the Junior uses an ultra-thin₽★, very low mass diaphrag≠®λm suspended between two oppositely char✔ged stators that are rapidly charδ¥βged and discharged to move the diaphraββ₹₹gm back and forth, producin≤σg remarkably coherent sound that only δ♣§a single driver system c♦↑±≤an provide. While a lot of the t<♣echnology in the Juni☆≈or headphone unit is similar to ♦♠the reference Senior, it uses a✔ε> smaller driver or diaphragm. ♠ ✔According to designer Dr. Fan$γ×g Bian, HiFiMAN’s Founder and CEOα₩', the Junior’s smaller circul₽ ↑ar-shaped driver is £☆≥actually a bit faster than thβ¥♠e Senior’s larger oval-shaped one. Theδ∏ nano-particle coating on bo¶≠∞φth ultra-thin (less tha♥↕n 0.001mm) diaphragms is Ω≠♣very evenly distributedδ$" to avoid hot spots, and the stators s☆♠♠hare similar material<©βσs. Both use sophisticated microσ↓≤-mesh wire stators working in γ₹×♣close proximity to the diaphragm ↓✘↑☆to increase openness and minimize d← istortion while allowing extended fr↔Ω> equency response from 7Hz to 1☆¶♣20kHz. Overtones in the h↕™>φigh frequencies are undistor₩&♠ted, enabling voices and instrum✘ "ents to sound more natural, ☆™→while deep tones are extended and c§λ≠$ontrolled.
對(duì)比參照(zhào)大(dà)香格裡(l&₽ǐ)拉，小(xiǎo)香格裡(lǐ)拉使用(yòng)了(le)超薄，超ε←©$輕的(de)振膜懸挂在兩個(gè)相(xiàng)對(duì ✔)安裝的(de)的(de)定子(zǐ)之間♥λ☆≠(jiān)，同快(kuài)速充放(fà★<™ng)電(diàn)來(lái)回震動震膜，産生(shēng)非常一(yī✘")緻協調的(de)聲音(yīn)，隻有(yǒu)特殊的(de)耳放(fàng)♦δ≈系統可(kě)以驅動。雖說(shuō)許多(duō)≠₽€技(jì)術(shù)在初級耳機(jī)單元有(yǒu)類似的(de)參♠₩☆₽考項，但(dàn)是(shì)小(xiǎo)香耳機(jī)使用(yòng)一×σ↕₹(yī)個(gè)更小(xiǎo)的(de)驅動單元或振膜。據HIFIMAN的(de)創始人(rén)₹♦兼CEO邊仿博士介紹，小(xiǎo)香耳機(jī)上(shàn≠βg)的(de)圓形單元實際上(shàng ×)比大(dà)香的(de)橢圓形驅動器(qì)響應速度δ≠£←更快(kuài)一(yī)些(xiē)，兩個(>♣gè)超薄(小(xiǎo)于0.001mm)振膜上(shàng)φ♣的(de)納米粒子(zǐ)塗層非常均勻地(dì)分(fēn ♣)布，以避免熱(rè)點，而且固定片使用♦♥♣(yòng)相(xiàng)似的(de)材料。兩π©✔者都(dōu)使用(yòng)精密的(de)微(wēi)網鋼絲β♥定子(zǐ)，在接近(jìn)振膜的(de)情況下(xià)↕€工(gōng)作(zuò)，以增加開(kāi)放(fδ★÷₽àng)性和(hé)減少(shǎo)失真，同時(shíβ®)允許頻(pín)響從(cóng)7Hz擴展到(dào)120kHz。高(gāλ'o)頻(pín)率的(de)泛音(yīn)是(s✔₹hì)不(bù)失真的(de)，使人(rén)聲和(hé)樂(yuè)≈¥₹器(qì)聲聽(tīng)起來(lái)更自(£±zì)然，而聲音(yīn)下(xià)潛也(yě)是(sh₽×δ★ì)延伸和(hé)可(kě)控的(de)。
The Junior’s attracti↔≤ve amplifier is more compact a®§§nd less ambitious than the awesome a©≥♣∞mplifier provided with✘ the Senior, but it ±₹γ$is a honey. It shares←Ω↕∞ a similar circuit structure w©"✘ ith the larger Senior model’s amplifi ¶er and also uses a stepped ∑¥attenuator volume con÷♠δ trol to keep the signal✔¶γ★ pure. While certainly not portable, t≠↔he Junior’s amplifier is easil×y ‘luggable’ and fits comf±✘ortably on a desk, tabletop, or n'↕✔ightstand. Its input stage, π₩using four matched 6SN7N÷↔ valves, produces a w₩↑&ide soundstage and musicality in spade♥s. The Junior amp is a hybrid, ma≥↓"γting a Class A output stagΩ₩e with the valve input stage. IΩ♣t is able to drive di♦βfficult loads and at the rece≤♥nt AXPONA show, it drove Ω both the Shangri-La ↓ ≈∑Senior and Junior simultaneously ↓£§via its two five-pin ele≤≈¥ctrostatic headphone jacks.✘₩ ≠ Some show attendees plugg& φed their Stax headphones into the amp↕÷€π and reported very good results. The ×₹↓✘Junior’s amp (availa $αble separately for $€♣←•5,000 US, or £4,399 UK) is wort$×♥hy of a separate review—it’s t hat good!
小(xiǎo)香格裡(lǐ)拉靜(jìng)電(diàn)耳機(jī♥★σ₽)系統的(de)耳機(jī)放(fàng)大(dà)器(qì>♣γ♠)很(hěn)具吸引力，比大(dà)香格裡(lǐ)拉所提供的(de)令人(♦•→₽rén)驚豔的(de)耳機(jī)放(fàng)✘←©大(dà)器(qì)更緊湊，也(yě)顯¥✔得(de)沒有(yǒu)那(nà)麽誇張，但(•×∏dàn)它是(shì)一(yī)個(gè)寶貝。它使用(yòng)一(¥π yī)個(gè)類似的(de)電(diàn)路(lù)¶∑ Ω結構高(gāo)階的(de)耳機(jī)放(fàng)大(↑♥¥dà)器(qì)，也(yě)使用(yòng)了(le)一(yī)個(gè)階♥±φ∞梯式衰減音(yīn)量控制(zhì)，以保持音(✔σ'↓yīn)源信号純淨。雖然它并不(bù)便于攜帶，但(dàn)小(λxiǎo)香的(de)耳機(jī)放(fàng)大("←φdà)器(qì)更容易放(fàng)置，可(kě)以舒适地(dì)放(f✔"àng)在寫字台、桌面或床頭櫃上(shàng)。它的(de)輸入部分₹ ∞∏(fēn)，使用(yòng)4個(gè)匹配的(de)6SN7N管，φ<₹≠産生(shēng)一(yī)個(gè)寬廣的( §÷de)聲場(chǎng)和(hé)音(yīn)樂(yuè)味。耳機(jī)放§∞(fàng)大(dà)器(qì)是(shì)一(yī)種混∑™σ合體(tǐ)，配合A級輸出與真空(kōng)管輸入。在最近(j≤©←ìn)AXPONA音(yīn)響展上(sh™Ω✔àng)，它通(tōng)過兩個(gè)五針靜(jìng)電(di £àn)耳機(jī)插孔同時(shí)驅動著(zhe)大(dà)香與小(©₽π xiǎo)香，一(yī)些(xiē)到(dào×£✘π)場(chǎng)的(de)燒友(yǒu)将STAX靜(jìng• ♣↓)電(diàn)耳機(jī)插入耳機(jī)放(fàng™≤$☆)大(dà)器(qì)，也(yě)展現(xiàn)了(le)非常不(bπ€£ù)俗的(de)效果。小(xiǎo)香的(de)耳→¶★₩放(fàng)部分(fēn)也(yě)提供單獨發售，售價5000美(m<ε♠ěi)元（或4399英鎊)，很(hěn)值得(de)單獨來(lái♠§ π)進行(xíng)評測——它實在太棒了(le)!
The Shangri-La Junior and →★♦★Senior share a lot of the sam ÷e outstanding sonic att±₹φributes—particularly ‘see-thr∞ough’ transparency, startling cl≤₩Ω☆arity, low colouration, and lightning™£∏-fast transients withou♥✘£₹t any smearing. It’s difficult to mσααatch the seamless coherency of th e Junior with any multi-dri∞πver transducer—as is apparent on de☆¶πmanding vocal and piano recordings. δ♦®
小(xiǎo)香格裡(lǐ)拉和(hé)大(dà)香✘↑格裡(lǐ)拉對(duì)比，擁有(yǒu)許多(duō≥<÷)相(xiàng)同的(de)聲學特性，特别是(shì)“無比純淨”γ∑☆>的(de)純淨度、令人(rén)驚歎的(de)清晰度、↑≥低(dī)染色以及閃電(diàn)般無任何噪點的(de)瞬态，$"σ∏這(zhè)是(shì)小(xiǎo)香耳機(jī)搭配其他(tā)靜(©±φ♦jìng)電(diàn)耳放(fàng)，所無法匹敵的£ε≥(de)，尤其是(shì)呈現(xiànγλ≥¥)在特定的(de)人(rén)聲和(hé)鋼琴錄音(yīn)上Ω£ ε(shàng)。
Indeed, the Shangri-La Jun×∞ior system excels at reproduciσσng piano recordings with addictiveφ×← sonic realism. The Junior’s wid₩<∞e-bandwidth, transparency©Ωπδ, clarity, openness, and ex≠φγ×plosive dynamics all come into Ω₩play here to produce a highly engagin§δ¥♣g result. I found myself transport•✘ed to the recording venue α✔∏σand was able to hear ≈δ¥all kinds of subtle details, typ§>€♦ically obscured by other transducers, l™ike the natural decay of the notesφ÷, the pedaling nuances, and the hamme ®rs hitting the strings on both clas★₽×sical and jazz recordings like V★₹ladimir Ashkenazy performing Rach®>←maninov: Complete Works fo→αr Piano[Decca] and Bill Ev↑ ans on the brilliant Mo<®♠Fi LP reissue of Sunday a ↑∞t the Village Vanguard.
事(shì)實上(shàng)，小(xiǎo)香格裡(lǐ)拉靜↕εγ(jìng)電(diàn)耳機(jī)系統在重現(xiàn)鋼琴錄音ε¥(yīn)方面表現(xiàn)優異，具有(yǒu)令 ¶人(rén)上(shàng)瘾的(de)真實聲音(yīn)。★↕₽÷小(xiǎo)香的(de)寬廣頻(pín)段、透明(míng)度、 解析力、開(kāi)放(fàng)性和(hé)爆破性的(de)瞬态響應都§♥Ω(dōu)在此發揮著(zhe)作(zuò)用(yòng)。≠≠&我發覺自(zì)己被送到(dào)了(le)錄音(yīn)現(☆≥✘♥xiàn)場(chǎng)，能(néng)夠聽(★tīng)到(dào)各種微(wēi)妙的(de)音(yīn)λ♠樂(yuè)細節，通(tōng)常會(huì)被其他(t∑≤ ā)樂(yuè)器(qì)所遮掩，比如(r× ±♥ú)音(yīn)符的(de)自(zì)然衰減、©★✘踏腳闆的(de)細微(wēi)差别以及在古典和(hé)爵士樂(yuα è)錄音(yīn)中敲打琴弦的(de)槌子(zǐ)，比如(rú&₹π)弗拉基米爾·阿什(shén)肯納齊演奏拉赫瑪尼諾夫《鋼₩♦琴全輯》、比爾·埃文(wén)斯在MoFi LP重≥λ ∑新錄音(yīn)發行(xíng)的(de)《周日(©₩'rì)在村(cūn)莊先鋒》。
Another difficult challenge invol∞β£ves reproducing human v₩ ×oices accurately and realistica¥σ←lly and the Junior exceλΩ≥×ls in this area, too. Listening to an±₹₽≤ SACD of Nat King Cole singing “S←✔¶tardust” on Love is the ≤σ''Thing[Analogue Produc∏©tions], I was reminded o φγ↓f how silky-smooth his voice was, ≠∞≥as well as of its gorgeous timbre㮥♠. Via the Junior, Nat’s clear di₩←∑ction and impeccable phrasin<'£↓g help to draw one into the music ÷Ωλ≤and performance. Female voice∏εs like Sara Vaughn’s on Ballads&nb ₩sp;[Roulette Jazz] or Julie London’π♠εs on Cry Me A River[Liberty §±₩ Records] are seductive and meαπ♣smerizing, and massed voices on Re¥γεference Recordings’ wonderful recoπ'rding of John Rutter’s&n £Ωbsp;Requiemare close to the best ₹•I’ve heard outside of the conc"©$↔ert hall. They’re spread across a wide£'↔ and deep sound stage, theε¥→> sound is rich and full-bodi≠→&∞ed, and one can clea≥"≥εrly hear the ambience of the ha'®≠ ll.
另一(yī)個(gè)艱難的(de)挑戰是(shì)精準真實地(dì)↔π重現(xiàn)人(rén)聲，而小(xiǎo)&™ε香靜(jìng)電(diàn)耳機(jī)在這(zhèφγπ)方面同樣很(hěn)出色。聽(tīng)著(∞≠ "zhe)納特·金(jīn)·科(kē)爾SACD→₩λλ在《Love is the Thing》(Analog £∞ue Productions)中演唱(chàng)的₽¶↕(de)《星塵》，令我浮想起了(le)他(tā)柔順的(∞✔'de)嗓音(yīn)和(hé)華美(měi)↕<的(de)音(yīn)色。在《少(shǎo)年(nián)時(shí)☆ ☆代》中，納特清晰的(de)吐字和(hé)無懈可(kě)擊的(de)歌φ₽÷"(gē)詞有(yǒu)助于将觀衆引領到(dào)音(yī←↓≥n)樂(yuè)和(hé)表演中。像Sara Vaughn在B€≥allads中的(de)女(nǚ)聲，或©✔ 著(zhe)是(shì)Julie Lond↕ ¶↓on在Cry Me A River中的(de)女(nǚ)聲δ<✘↔都(dōu)是(shì)無比迷人(rén)的(de)，而在聆聽(tīng)Joφ≥✘hn Rutter的(de)《安魂曲》時 ♦<(shí)，其中美(měi)妙錄音(yīn)中的(de)人(rén)聲，是(≈®φshì)我在音(yīn)樂(yuè)廳之外(w££ài)聽(tīng)到(dào)的(deεΩ©↑)最好(hǎo)表現(xiàn)。人(rén)聲散←α↔∑布在寬廣而深潛的(de)聲場(chǎng)中，聲音(yīn)豐富而濃∏←≠&郁，并且你(nǐ)可(kě)以清晰地(dì)₩↓♣聽(tīng)到(dào)大(dà)廳的(deλΩ↓≥)氛圍感。
With its extended frequency r↓≥→&esponse and low colouration, the± δ✔ Junior is ruthlessly revealing $׶of flaws in source material, ≈£¶✔cables, and associated electronics, and₩<→& the Junior sounds better ←♦§with well-recorded high-resolution tra ∑♣cks and LPs. As with many ref★↓≥erence components, tφ₹↑he better the ancillary equ> ₩✔ipment and cables you use the bet ♥<ter the sound will be. My tube-based Mo׶dwright-Oppo player, aided by a₽₩≥ Shunyata Research Alpha power cable, £≥produced far better results than what♥$× I heard from the Junior atε→↕ both CanJam SoCal and AXPON δδ>A. Specifically, the sou&∏☆nd was significantly more neu×≈♣tral and natural with these±φ↕§ better associated componen£σ★ts and cables than in the tΩ€rade show demos. (I suspe±>ct the noisy hotel power a↓¥$t both shows was the cul→₹™≤prit).
其延伸良好(hǎo)的(de)頻(pín)響和(hé)↓¥ε♦低(dī)染色，小(xiǎo)香靜(jìng)電(δ₹♠diàn)耳機(jī)系統無情地(dì)暴露∞¶ ↕了(le)有(yǒu)缺陷的(de)音(yī₽ n)源、線材和(hé)相(xiàng)關的(de)外(wài)設€©≥電(diàn)子(zǐ)産品，小(xiǎo)香可(kě)←✘♦↕以更好(hǎo)的(de)重現(xiàn)良好(hǎo→✔↕)的(de)高(gāo)解碼格式的(de)曲目和(hé)黑(hēi)膠。與很×δπ(hěn)多(duō)參考級配件(jiàn)一(yī)樣，輔助β ÷設備和(hé)線材使用(yòng)得(de)越好(hǎo)，聲音(y≤♠īn)也(yě)就(jiù)越好(hǎo)。我的®→(de)電(diàn)子(zǐ)管Modwright-Oppo播放(fàn€ g)器(qì)，在Shunyata Research Alph✔✔₹a電(diàn)源線的(de)加持下(xià)，☆∑比我從(cóng)南(nán)加州CanJam展和(hé)AXPONA∑↓₩展上(shàng)聽(tīng)到(dà←✔o)的(de)小(xiǎo)香耳機(jī)φ©♣δ效果要(yào)好(hǎo)很(hěn)多(duō)。具體(t♠δǐ)說(shuō)，與展會(huì)上(shàng)相↓¥✘(xiàng)比，這(zhè)些(xiē)搭配更好(hα™≠×ǎo)配件(jiàn)和(hé)線材的(de)ε♣¶↕聲音(yīn)呈現(xiàn)明(míng)顯更加素淨和(hé σ÷)自(zì)然耐聽(tīng)。我甚至懷疑舉辦這(zhè)兩個(gè•✘≤)展的(de)酒店(diàn)供電(diàn)才是(shì)元兇。 ↑↔≠£
One common criticism of electrostat® ic transducer designs is their la÷€ck of bass, but this is not true with₽★ either of the Shangri-La’s. The Juni§λor has extended and wσβell-controlled bass and can even repro←•&duce the deep pedal tones of a churchλ≠ organ on recordings like Reference λ↑✔βRecordings’ Saint-Sae✔•δns Symphony No.3, the or→♣gan symphony. Better↓™∏ still, you don’t have to worry a↓ ♣bout over-driving your room repr>↔₽€oducing those deep tones! The $×™bass guitar on the late ₽γgreat Jaco Pastorius’ Word↓♣ of Mouthalbum [Warner Bros.♥$★] was quite satisfying with phenomenal ≈↔★bass articulation and z§₹ero overhang. Sam Jones’ bass on ×Somethin’ Else[Analogue ±♣•$Productions’ Blue Note SACD reε issue] sounds like the r<≈&eal thing without the additional ←↑≥™bass bloat so often heard on otheσ✔≈¶r systems. Indeed, lisΩ$$≤tening to this album f✔≥÷•eaturing Cannonball Adderley and ε Miles Davis, places you r↓×∑ight in the recording venu↕$≤e and the transient quickness, rhyt'↔¶hmic drive, and clarity of ☆☆Art Blakey’s drums add to the exciteme★∑§¶nt of the performance. Ano♥β£ther hallmark of the Junior i∞←→≤s that instruments sound amazingly re♦Ωalistic and balanced, with true natu±©♠₩ral timbre. Both Cannonball’s ×←alto sax and Miles’ trump₩♥'et sounded ‘spot on’ in ★ this terrific recording.
對(duì)靜(jìng)電(diàn)耳機(jī)系統設計(jì)的(d>♥"÷e)一(yī)個(gè)常見(jiàn)诟≈↑↑病，是(shì)指它們的(de)低(dī)頻(pín)表現(xiàn)不(b<©ù)足，但(dàn)這(zhè)并不(bù) ♣是(shì)香格裡(lǐ)拉耳機(jī)的(de)問(wèn)題。小(xiǎδ o)香的(de)低(dī)頻(pín)音(yīn)質很(hě ↓n)贊，甚至可(kě)以聖桑的(de)《第三交響曲》等管 '©¥風(fēng)琴交響曲中再現(xiàn)教堂管風(fēng)琴的(de)低₹™✔☆(dī)沉低(dī)音(yīn)。更贊的(de)是(shì♠♥↓¥)，你(nǐ)無需擔心你(nǐ)的(de)房(fá✔♠®ng)間(jiān)會(huì)過度重放(♦>fàng)那(nà)些(xiē)低(dī)沉音(yīn)調!在已故φ×偉大(dà)的(de)Jaco Pastorius的(de)“Word o₽ f Mouthalbum ”的(de)低(dī)音(yīn)吉他(tā∑σβ)中，可(kě)以呈現(xiàn)相(xiàδ★ng)當驚人(rén)的(de)低(dī)頻(pín×∏)形體(tǐ)感和(hé)結像。Sam Jones的∞•★φ(de)貝斯在Something Else聽(tīng)起來(lái)←¶σ非常真實自(zì)然，沒有(yǒu)在其他( ↑tā)耳機(jī)系統上(shàng)常聽(tīng)到(d<↔>↓ào)的(de)低(dī)頻(pín)過量。'≥∑事(shì)實上(shàng)，聽(tīng)著• γ(zhe)這(zhè)張由Cannonball ×$±Adderley和(hé)Miles Davis合♠₽作(zuò)的(de)專輯，你(nǐ)就(jiù)會(huì)置 γβ身(shēn)于錄音(yīn)室現(xiàn)場(ch→ $ǎng)，而Art Blakey的(de)鼓點所帶來(♠ lái)的(de)短(duǎn)暫快(kuài)節奏、節奏€→¶的(de)拿(ná)捏和(hé)清晰度平添了(le)±∏∞表演中的(de)愉悅感。小(xiǎo)香另一(yī)個(gè)标志(zhì ₹')性優點是(shì)器(qì)樂(yuè)部分(f♠♣¥ēn)聽(tīng)起來(lái)令人(rén)驚歎•€♦♣的(de)真切平衡，以及真實的(de)自(zì)然音(yīn)色。在這(zhè✔¶≤)段美(měi)妙錄音(yīn)中，坎農(nσ↑óng)鮑爾的(de)中音(yīn)薩克斯管和(hé)邁爾斯的(≠₹ππde)小(xiǎo)号聽(tīng)起來(lá≥♦i)都(dōu)是(shì)那(nà)麽的(de)“恰到Ω ©♦(dào)好(hǎo)處”。
Did I mention that the ™φ§Junior can also rock? I×&αt is able to reproduce wideπ♥± dynamic changes so quickly that i÷☆∞t can send chills down•↑↓ your spine! Additionally,&©• percussion instruments are reprodu≤✔ced with amazingly clean anπ÷≤€d quick transients, λ×εpropelling the music fo±≥rward with excitement ↑"×®on albums like the reissu ≈♣∑es of Jimi Hendrix’s Eσ☆ lectric Ladyland[Sony Legacy] and&nb∏γ♠&sp;Led Zeppelin II[Atlantic]. I found m≥λεyself listening to entire albums w÷§¶≠hen I thought I would only listen to on¶©'e track.
我有(yǒu)提過小(xiǎo)香耳機(←♣∑εjī)也(yě)會(huì)适合搖滾嗎(ma)？它能(néng)夠♥≤揭示寬廣的(de)動态變化(huà)是(shì)如(rú)此φπ之快(kuài)，甚至于可(kě)以讓你(nǐ↔÷☆$)的(de)脊背發冷(lěng)！此外(wài)，打擊樂(y€>uè)器(qì)的(de)再現(xiàn)與驚人(rén)幹淨而迅捷的(✘₹₽de)瞬态響應，高(gāo)效演示了(le)優秀的(de)專輯，如(rγ•ú)Jimi Hendrix的(de)Electric L¥>₹σadyland和(hé)Led Zeppelin II的(de)重新發售。π $®最終，當我以為(wèi)隻會(huì)聽(tīng)一(yī)首歌(gē)↔π時(shí)，我卻完整的(de)聽(tīng)完了(le)整張專↑¶×輯。
If you covet the best headpho☆δne systems in the world but→∞γ₽ don’t want to spend more than f£σifty-large, the Shangri-La Jr. will ↑"≥get you very close at a fraction o&♠☆'f the price provided youδ≈ feed it well-recorded source m✔₩"™aterial and clean power, and avo'¶ id lean-sounding DACs and cab≠λ♣φles. Given how close it comes to the be ♦®★st reference headphone systems, the S♦σhangri-La Junior is a stu"λ±nning achievement!
如(rú)果你(nǐ)渴望擁有(yǒu≠±δ)世界上(shàng)最棒的(de)耳機(jī)系統，但(dàn•♥₹)又(yòu)沒有(yǒu)太多(duō)的(de)預算(™×™suàn)，那(nà)麽隻需你(nǐ)給它提∏φ®供錄制(zhì)優良的(de)音(yīn)樂(yuè)和(hσ&πé)幹淨的(de)電(diàn)源，并避免搭配聽(tīng)起來(láπ•i)很(hěn)幹癟的(de)DAC和(hé)線材。小(xi×"ǎo)香格裡(lǐ)拉就(jiù)可(kě)以說(shuō)有(yǒu)一(y±÷₽ī)個(gè)很(hěn)親民(mín)的(de≥π)價格，特别是(shì)當它無限接近(jìn₹®§)最棒的(de)參考級耳機(jī)系統，小(xiǎo)香格裡• ≠♣(lǐ)拉委實是(shì)一(yī)個(gè)令人(←≥≠rén)歎服的(de)成就(jiù)!
